Swami Vivekananda's Passing Away
(Translated from Bengali by Swami Chetanananda)
4 July 1902 was a memorable day. Swami Vivekananda, a great prophet of modern India, passed away at about 9:00 pm while he was in meditation. The flame of his life-lamp, which brightened the spiritual world, suddenly blew out in the deep darkness of night. The next morning this sad news spread throughout Calcutta and all over India. Swamiji's disciple Kanai Maharaj (Swami Nirbhayananda) came to our house in Ahiritola and gave us the news. I was then busy performing worship in a temple nearby. I returned home before 9:00 am to find my mother crying loudly. When I asked why she was grieving, she said, "My son, a great calamity has taken place. Swamiji is no more. He has passed away — and you never did take me to see him." I replied, "Mother, all monks in the monastery are called "Swami". Which swamiji are you talking about? Perhaps you have misunderstood something." My mother answered: "Oh no, Kanai came early this morning and said that the head Swamiji passed away last night at nine o'clock. He asked all of you to go to Belur Math." I consoled my mother, saying, "It is not good to express grief for the death of a monk."
SWAMIJI IN MAHASAMADHI
At that time my friend Nibaran, a disciple of Holy Mother, arrived. I decided not to go to work. Accompanied by Nibaran and my younger brother Dulalshashi, I went to the Ahiritola ghat, crossed the Ganges by boat, and then reached Belur Math at 10:00 am via Salikha (Salkia) and Ghusuri. It was raining a little. I saw that Rakhal Maharaj (Swami Brahmananda) and some monks were busy decorating a cot with flowers in the western veranda of the Math building. When Rakhal Maharaj saw me, he burst into tears. His voice was choked, so he pointed to the steps and indicated that we should go upstairs.
When I entered Swami Vivekananda's room I saw that his divine body had been laid on a carpet. His forehead was smeared with holy ashes; a bouquet of flowers was placed near his head; and his body was covered with a new ochre cloth. His right hand was resting on the floor and a rosary had been placed around his right thumb. His eyes were indrawn and half-closed like Lord Shiva in meditation. The entire room was full of fragrance from incense burning at both sides of his body. Sister Nivedita was seated at the left side of Swamiji's body, steadily fanning his head with a palm-leaf fan. Tears were trickling down her cheeks. Swamiji's head was placed to the west and his feet to the east, towards the Ganges. Grief-stricken, Brahmachari Nandalal sat silently at his feet. We all three bowed down to Swamiji, touching his feet, and then sat there. When I touched his feet, they were as cold as ice.
I then touched Swamiji's rosary and repeated the mantra given by my guru. Meanwhile, many distinguished people and devotees from Calcutta and other places arrived to see Swamiji for the last time. One after another they bowed down to him and left; but the three in my party, Brahmachari Nandalal and Sister Nivedita stayed. When I finished my japa, Nivedita whispered to me: "Can you sing, my friend? Would you mind singing the songs that our Thakur used to sing?" I said that I could not sing. Nivedita then requested, "On my behalf will you please ask your friend to sing?"
Then my friend Nibaran sang a few songs melodiously: "Cherish my precious Mother Shyama tenderly within, O mind"; "Why should I go to Ganga or Gaya, to Kashi, Kanchi or Prabas?"; "Is Kali, my Mother, really black? The Naked One, of blackest hue, lights the lotus of the heart"; "The black bee of my mind is drawn in sheer delight to the blue lotus flower of Mother Shyama's feet"; "O my mind, chant the name of Kali. If you say Kali, Kali, the fear of Kala [Death] will disappear."
NIVEDITA'S REACTION
Nivedita listened to these songs with all her attention. Pent-up emotions overflowed from her heart and began to flow from her eyes as tears. It was an unforgettable and sad scene; I shall never forget it. Although the incident occurred forty-five years ago, still its memory is written on my mind in golden letters. On that day the expression on Nivedita's face told me how wounded was her lost and sad heart! It truly stirred my consciousness. I realized that her reaction was not the result of mere emotional weakness. Where is this great, learned, spiritual English woman full of renunciation and forbearance, and where are we who are proud of a little learning and devoid of renunciation!
THE LAST RITES
At about 1:00 pm Swami Saradananda came upstairs to Swamiji's room and said to Brahmachari Nandalal and the three in my party: "Look, we are broken-hearted because of Swamiji's passing away. We have lost all our strength. Would you be able to carry Swamiji's body downstairs?" Immediately Brahmachari Nandalal and we three devotees slowly and carefully carried Swamiji's body down the steps to the lower veranda and placed it on the cot decorated with flowers. As was the custom, some pomegranates, apples, pears and grapes were offered to Swamiji. Swami Advaitananda then said to the brahmachari, "O Nandalal, Swamiji loved you immensely. You perform the last worship to him." When Swami Brahmananda and the other monks approved this proposal, Nandalal performed the ritual offerings of garlands and flowers, and of fruits and sweets, then waving an oil lamp and finally chanting a hymn.
It was proposed that a final photograph of Swamiji be taken, but Swami Brahmananda would not allow it, saying, "There are many good photographs of Swamiji; this sad picture will break the hearts of all." Afterwards, Swami Brahmananda, the other monks and brahmacharins offered flowers at Swamiji's feet. Finally, Haramohan Mitra (a classmate of Swamiji's) and other devotees offered flowers. Later, Swamiji's feet were painted with red dye (alta) and footprints were made on small pieces of cloth. Sister Nivedita also took a footprint on a new handkerchief. I took a beautiful rose (not fully open), smeared it with sandal paste, touched it to Swamiji's feet and put it in my front pocket as a memento.
When the worship service was over, Swami Saradananda asked the same four of us to carry the cot to the spot where Swamiji's body would be cremated. All the monks and devotees followed the procession. There had been some rain before noon, so the monastery ground was wet and slippery, and moreover it was covered with spear grass. So we slowly and cautiously crossed the vast area and placed the cot on the funeral pyre set with sandalwood. At that time Swamiji's aunt and his cousin, Habu Datta, arrived by car from Simla (Calcutta), and began to cry and lament loudly.
Swami Saradananda then asked everyone, "Please take a bunch of pankati [the dried stalk of the jute plant], ignite it, circle Swamiji's body seven times, place the blazing pankati under the cot just below Swamiji's feet, and bow down to him." According to his instructions, Swamiji's body was consigned to the sandalwood fire, and the grief-stricken monks and devotees sat like statues around the blazing pyre. The funeral fire gradually rose high, extending its many lolling tongues to consume Swamiji's body. Girish Chandra Ghosh, Upendranath Mukhopadhyay of the Basumati, Jaladhar Sen, Mahendranath Gupta (M), Akshay Kumar Sen and other devotees were seated on a cement bench near the bel tree and watching this heart-rending scene.
Broken-hearted, Girish Babu began to lament: "Naren, you were supposed to live and spread the glory of the Master by telling people my story of transformation. But this wish of mine has been destroyed by a horrible Providence . I am an old fellow [he was 19 years older than Swamiji], and I am left alive to see this terrible scene of yours. You are the Master's son and you have gone to him. Look, you have departed prematurely, leaving us in this pitiable condition. How unfortunate we are"
At this, Nivedita could no longer suppress her grief. She got up and began to circle the blazing funeral pyre. Seeing her close to the pyre, Swami Brahmananda was concerned that her skirt would catch fire. He conveyed this to Swami Nirbhayananda, who then took Nivedita's hand and led her away from the pyre. He made her sit on the bank of the Ganges and tried to console her.
The sacred fire and a favourable wind consumed the lower part of Swamiji's divine body to ashes within a short time; but amazingly that fire did not touch his chest, face and the hair of his head. His facial expression and the look of his broad eyes were beautiful. It was suggested that someone shake Swamiji' body so that it would burn quickly. This greatly upset Swami Nishchayananda, a disciple of Swamiji. He did not want to see his guru's body prodded with a pole. So he immediately climbed up an old tree nearby, cut some branches and set them on the funeral pyre.
(Translated from Bengali by Swami Chetanananda)
4 July 1902 was a memorable day. Swami Vivekananda, a great prophet of modern India, passed away at about 9:00 pm while he was in meditation. The flame of his life-lamp, which brightened the spiritual world, suddenly blew out in the deep darkness of night. The next morning this sad news spread throughout Calcutta and all over India. Swamiji's disciple Kanai Maharaj (Swami Nirbhayananda) came to our house in Ahiritola and gave us the news. I was then busy performing worship in a temple nearby. I returned home before 9:00 am to find my mother crying loudly. When I asked why she was grieving, she said, "My son, a great calamity has taken place. Swamiji is no more. He has passed away — and you never did take me to see him." I replied, "Mother, all monks in the monastery are called "Swami". Which swamiji are you talking about? Perhaps you have misunderstood something." My mother answered: "Oh no, Kanai came early this morning and said that the head Swamiji passed away last night at nine o'clock. He asked all of you to go to Belur Math." I consoled my mother, saying, "It is not good to express grief for the death of a monk."
SWAMIJI IN MAHASAMADHI
At that time my friend Nibaran, a disciple of Holy Mother, arrived. I decided not to go to work. Accompanied by Nibaran and my younger brother Dulalshashi, I went to the Ahiritola ghat, crossed the Ganges by boat, and then reached Belur Math at 10:00 am via Salikha (Salkia) and Ghusuri. It was raining a little. I saw that Rakhal Maharaj (Swami Brahmananda) and some monks were busy decorating a cot with flowers in the western veranda of the Math building. When Rakhal Maharaj saw me, he burst into tears. His voice was choked, so he pointed to the steps and indicated that we should go upstairs.
When I entered Swami Vivekananda's room I saw that his divine body had been laid on a carpet. His forehead was smeared with holy ashes; a bouquet of flowers was placed near his head; and his body was covered with a new ochre cloth. His right hand was resting on the floor and a rosary had been placed around his right thumb. His eyes were indrawn and half-closed like Lord Shiva in meditation. The entire room was full of fragrance from incense burning at both sides of his body. Sister Nivedita was seated at the left side of Swamiji's body, steadily fanning his head with a palm-leaf fan. Tears were trickling down her cheeks. Swamiji's head was placed to the west and his feet to the east, towards the Ganges. Grief-stricken, Brahmachari Nandalal sat silently at his feet. We all three bowed down to Swamiji, touching his feet, and then sat there. When I touched his feet, they were as cold as ice.
I then touched Swamiji's rosary and repeated the mantra given by my guru. Meanwhile, many distinguished people and devotees from Calcutta and other places arrived to see Swamiji for the last time. One after another they bowed down to him and left; but the three in my party, Brahmachari Nandalal and Sister Nivedita stayed. When I finished my japa, Nivedita whispered to me: "Can you sing, my friend? Would you mind singing the songs that our Thakur used to sing?" I said that I could not sing. Nivedita then requested, "On my behalf will you please ask your friend to sing?"
Then my friend Nibaran sang a few songs melodiously: "Cherish my precious Mother Shyama tenderly within, O mind"; "Why should I go to Ganga or Gaya, to Kashi, Kanchi or Prabas?"; "Is Kali, my Mother, really black? The Naked One, of blackest hue, lights the lotus of the heart"; "The black bee of my mind is drawn in sheer delight to the blue lotus flower of Mother Shyama's feet"; "O my mind, chant the name of Kali. If you say Kali, Kali, the fear of Kala [Death] will disappear."
NIVEDITA'S REACTION
Nivedita listened to these songs with all her attention. Pent-up emotions overflowed from her heart and began to flow from her eyes as tears. It was an unforgettable and sad scene; I shall never forget it. Although the incident occurred forty-five years ago, still its memory is written on my mind in golden letters. On that day the expression on Nivedita's face told me how wounded was her lost and sad heart! It truly stirred my consciousness. I realized that her reaction was not the result of mere emotional weakness. Where is this great, learned, spiritual English woman full of renunciation and forbearance, and where are we who are proud of a little learning and devoid of renunciation!
THE LAST RITES
At about 1:00 pm Swami Saradananda came upstairs to Swamiji's room and said to Brahmachari Nandalal and the three in my party: "Look, we are broken-hearted because of Swamiji's passing away. We have lost all our strength. Would you be able to carry Swamiji's body downstairs?" Immediately Brahmachari Nandalal and we three devotees slowly and carefully carried Swamiji's body down the steps to the lower veranda and placed it on the cot decorated with flowers. As was the custom, some pomegranates, apples, pears and grapes were offered to Swamiji. Swami Advaitananda then said to the brahmachari, "O Nandalal, Swamiji loved you immensely. You perform the last worship to him." When Swami Brahmananda and the other monks approved this proposal, Nandalal performed the ritual offerings of garlands and flowers, and of fruits and sweets, then waving an oil lamp and finally chanting a hymn.
It was proposed that a final photograph of Swamiji be taken, but Swami Brahmananda would not allow it, saying, "There are many good photographs of Swamiji; this sad picture will break the hearts of all." Afterwards, Swami Brahmananda, the other monks and brahmacharins offered flowers at Swamiji's feet. Finally, Haramohan Mitra (a classmate of Swamiji's) and other devotees offered flowers. Later, Swamiji's feet were painted with red dye (alta) and footprints were made on small pieces of cloth. Sister Nivedita also took a footprint on a new handkerchief. I took a beautiful rose (not fully open), smeared it with sandal paste, touched it to Swamiji's feet and put it in my front pocket as a memento.
When the worship service was over, Swami Saradananda asked the same four of us to carry the cot to the spot where Swamiji's body would be cremated. All the monks and devotees followed the procession. There had been some rain before noon, so the monastery ground was wet and slippery, and moreover it was covered with spear grass. So we slowly and cautiously crossed the vast area and placed the cot on the funeral pyre set with sandalwood. At that time Swamiji's aunt and his cousin, Habu Datta, arrived by car from Simla (Calcutta), and began to cry and lament loudly.
Swami Saradananda then asked everyone, "Please take a bunch of pankati [the dried stalk of the jute plant], ignite it, circle Swamiji's body seven times, place the blazing pankati under the cot just below Swamiji's feet, and bow down to him." According to his instructions, Swamiji's body was consigned to the sandalwood fire, and the grief-stricken monks and devotees sat like statues around the blazing pyre. The funeral fire gradually rose high, extending its many lolling tongues to consume Swamiji's body. Girish Chandra Ghosh, Upendranath Mukhopadhyay of the Basumati, Jaladhar Sen, Mahendranath Gupta (M), Akshay Kumar Sen and other devotees were seated on a cement bench near the bel tree and watching this heart-rending scene.
Broken-hearted, Girish Babu began to lament: "Naren, you were supposed to live and spread the glory of the Master by telling people my story of transformation. But this wish of mine has been destroyed by a horrible Providence . I am an old fellow [he was 19 years older than Swamiji], and I am left alive to see this terrible scene of yours. You are the Master's son and you have gone to him. Look, you have departed prematurely, leaving us in this pitiable condition. How unfortunate we are"
At this, Nivedita could no longer suppress her grief. She got up and began to circle the blazing funeral pyre. Seeing her close to the pyre, Swami Brahmananda was concerned that her skirt would catch fire. He conveyed this to Swami Nirbhayananda, who then took Nivedita's hand and led her away from the pyre. He made her sit on the bank of the Ganges and tried to console her.
The sacred fire and a favourable wind consumed the lower part of Swamiji's divine body to ashes within a short time; but amazingly that fire did not touch his chest, face and the hair of his head. His facial expression and the look of his broad eyes were beautiful. It was suggested that someone shake Swamiji' body so that it would burn quickly. This greatly upset Swami Nishchayananda, a disciple of Swamiji. He did not want to see his guru's body prodded with a pole. So he immediately climbed up an old tree nearby, cut some branches and set them on the funeral pyre.
From Reminiscences of Swami Vivekananda Chandrasekhar Chattopadhyaya
कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Let's work on "Swamiji's Vision - Eknathji's Mission"
Follow Vivekananda Kendra on blog twitter g+ facebook rss delicious youtube Donate Online
Katha Blog : http://katha.vkendra.org
Katha Google Group : https://groups.google.com/forum/?hl=en#!forum/daily-katha
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org
मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्धयसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥
Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26
