Saturday, 4 April 2026

Patanjali Yoga Sutras Vibhuti Pada - Introduction

ॐॐॐ

The third chapter of the Patanjali Yoga Darshanam, the Yoga Sutras of the Maharshi Patanjali, the Vibhūti Pāda is a very very important chapter in which various dimensions, aspects and practices regarding concentration, meditation and the Samādhi, the last three Aṅgas of the Aṣṭāṅga are discussed in this. Apart from it, the various practices, results, benefits, transformations are also discussed, which are termed as the Pratyayas. Then the various terms which come in this particular Pāda is the three types of transformations, Pariṇāmas and what are the benefits, Vibhūtis, the powers of the mind. 

In Indian philosophy, in our culture, we keep on listening that the Yogis had, have, can develop various powers, which are inexplicable even to the modern science. The powers of the mind, the tremendous potential energy of the mind, which when it expresses, it has an immense effect in a day-to-day life, in one's own life and in general to the entire society and various types of powers, various stages of the powers and various utilities of the powers and all such topics are discussed in this.

A caution is needed as Sri Ramakrishna Paramahamsa says that the powers of the mind, developing them, expressing them, manifesting them, using them, even it is for the benefit of the society, he says, it's very dangerous, we should not get attached to it and a sense of ego, a sense of Ahaṅkāra develops and which again will be an impediment in crossing over, in overcoming or in jumping to the still more higher, still more deeper layers of the Sādhana. With this caution that the powers of the mind, the Vibhūtis, may be a little tempting, may be a milestone, but still we should be extremely cautious and careful not to be motivated, not to be guided, not to be directed by this expression and manifestation of the powers.

We saw that in the second chapter, the discussion went on, on Kriyā Yoga, then on the Kleśas, the five Kleśas, then various results, then Aṣṭāṅga Yoga, the discussion also on the Duḥkha and all the five Aṅgas concluding with the Pratyāhāra or the Bahirāṅgas explained in the second chapter. The last three Aṅgas of the Aṣṭāṅga Yoga were taken in the third chapter for this very reason that Dhāraṇā, Dhyāna and Samādhi are internal, they are very intimate, they are very close than the external, outward. When we say it is external or outwards, as we have already seen in the second chapter, it was more concerned with the behaviour, emotions, the breathing, the body and senses, the power of the senses, the behaviour of the senses and it is all external. External is external to our own content of the mind, the Citta. As it was already expressed that though mind is not the correct English word for the Citta, but for our convenience we are using the word. As all of us know that there is a subconscious mind, there is an unconscious mind and of course the conscious mind, the conscious state of ours, the subconscious state of ours, the unconscious state of ours and these three states of the mind all put together the core, the basic, the foundation, that is the Citta. We have used it as the functional modifications of our core being and that outside of the Citta, anything which is not the Citta and that is all Bahirāṅga, external, even though it is internal but still separated from the Citta, outside the Citta.

So in the Vibhūti Pāda, the entire subject matter is the mind, the Citta which is completely isolated from outside, from the external and it is only under these conditions, an absolutely isolated, separated Citta alone can be a perfect, successful practice of Dhāraṇā, Dhyāna and Samādhi. That is how the practice of Prāṇāyāma gives ability to the mind धा॒र॒णासु च योग्यता॑ मन॒सः - we have seen it. So all this Antaraṅga Yoga, Dhāraṇā, Dhyāna and Samādhi can be successfully practiced. We will be able to be progress, victorious in the practice of concentration, meditation and the Samādhi only when the mind is in the Citta, is isolated, free from all the emotions, breathing, body, sense behaviours and various types of Karmaśayas, all those inflictions, all those temptations, all those tendencies, all those Saṃskāras, when all that has been purified, then the mind becomes ready, free for launching, diving deep into the practice of Dhāraṇā, Dhyāna and Samādhi. That is why all the above five, Yama, Niyama, Āsana, Prāṇāyāma, Pratyāhāra are the preparations and they are very much needed. Though they are basic and fundamentals, without which a right, correct, progressive practice of the Antaraṅga Yoga is not possible. We see many people, many of us, all of us, we keep on saying that, that I am meditating, I am concentrating, I am in meditation, I am doing meditation, I am practicing meditation. What exactly happens? What exactly we do? We sit quietly somewhere in the corner of the room or absolutely alone, cut off from the external. But what happens in the mind? Are we really free within ourselves? Is our Citta is exactly isolated? Then alone the practice of Dhāraṇā, Dhyāna, Samādhi comes. We shall see all these dimensions.

What is Dhāraṇā? What is Dhyāna? And what is Samādhi? And Patanjali brings out a beautiful terminology in the third chapter. It is called as the Saṃyama, he calls it. The three practices put together, and performing this Saṃyama on particular objects, gives rise to the unbelievable powers, which cannot be explained, inexplicable, to the modern science, even to our own understanding, to the normal understanding of our life. Sometimes the explanation of the powers, experience of the powers, is so deep, that it is all unbelievable. But we should remember that, when Maharishi Patanjali talks of these Vibhūtis, he opens up the gates, he opens up the locks, he unravels the inner powers of the mind.

And our own Citta, we ourselves as individuals, become one with the entire world. And then, when we become one with the world, the world becomes one with us. And that identity gives immense power. And these Vibhūtis, though seem to be unthinkable, unbelievable, but when it is expressed in Yoga Shastra, by Maharishi Patanjali himself, it means it has a value. They are achievable, they are attainable. And they are not just imaginary expressions and ideas. These attainable powers are possible. And if possibility was not there, it could not have been expressed. Expressed means there are possibilities. Infinite possibilities. And engrossing in those infinite possibilities, opening up, rising up, awakening, realizing these infinite possibilities of powers. That system of techniques is the subject matter of this Vibhūti Pāda.

The first three sutras deal with the definitions of each Aṅga. And the next two sutras, the fourth, fifth, sixth, the three sutras, they talk about the Saṃyama. The sutra 7 and 8 is a comparison between the Bahiya and the Antaraṅga Yogas. The 9 to 12 is the manifestations of Samāpatis, the various Pariṇāmas, transformations. And the sutra number 13 to 15 is a wonderful discussion about the various inner deep manifestations. And from the 16 to 48, these sutras are all about the Siddhis. About 54 psychodynamic and physiodynamic powers of the Saṃyama. What can happen to the human body and the mind? What can we achieve by practicing Saṃyama? That will be the listing of the Siddhis. And the last 6-7 sutras are about the characters of the consciousness related to the Siddhis. So the entire chapter is a wonderful chapter which deals with our regular practices and most important Sādhana in the Yoga Shastra, in the life of a Yogi, in the daily routine of a Yoga practitioner.

Let us see and understand these wonderful sutras of the Vibhūti Pāda.

Om Śānti Śānti Śāntiḥ

To Be Continued.. ---------------------------------------
These are transcription of session delivered by Vice-President of Vivekananda Rock Memorial & Vivekananda Kendra, Sri M. Hanumantha Rao Ji.
Audio Link - https://youtu.be/3TpZ_7bTsiU?si=Adw1gsusprBhz7t7

--
कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org

Let's work on "Swamiji's Vision - Eknathji's Mission"

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मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26

Friday, 3 April 2026

Patanjali Yoga Sutras Sadhana Pada - 55

ॐॐॐ

The last sutra of the second chapter deals with the benefit of pratyāhāra, the end result of the important practice, important aṅga, the fifth aṅga, that is pratyāhāra. The last, the fifty-fifth sutra is 

त॒तः॒ प॒र॒मा वश्यते॑न्द्रिया॒णाम् ॥ २.५५॥
Tataḥ paramaḥ vaśyatā indriyāṇām

Tataḥ, from that, paramaḥ, extreme, complete, total, absolute, vaśyatā, vaśyate, vaśyatā is mastery, control, under the control, indriya is the indriyās, sense organs, indriyāṇām is the plural. So tataḥ is from that, from pratyāhāra, what is the result? Extreme mastery, complete subjugation, total control, paramaḥ vaśyatā, paramaḥ vaśyatā it is, total, paramaḥ vaśyatā of indriyāṇām, indriyās. So from that results the complete subjugation, mastery of the indriyās, that is the practical dimension. So the important result, or the only result, or the best result, or the final end result of the pratyāhāra is the complete subjugation of the indriyās. They lose their power of recognition because the mind has withdrawn from it. The successful practice of pratyāhāra as you have seen in the previous sutra, gives a complete mastery over the indriyās, in the sense that we no longer remain their slaves but become their masters. Switching them off and on as we switch off and on an electric light in our own rooms. When you want a light you switch on, when we don't want it we switch it off. Open the door and close the door at the will of ours and that is the mastery over the indriyās. Object of sense enjoyment is there but to be in touch with it or not, that freedom comes and the indriyās will not rush by its own natural flow. That is the benefit and outcome of practice of pratyāhāra.

It is interesting to note that how the first five aṅgas of the aṣṭāṅga yoga, they eliminate one after the another different sources of disturbance to the mind and prepare it for the final removal of the citta vṛttis. First to be eliminated by the yama niyamas are the emotional disturbances due to the moral, ethical defects, behaviours, social contacts and the various psychological dimensions in nature, in one's own nature. Next is to be eliminated by the practice of āsana or the disturbances which arise in the physical body. The body is made fit and all the aśuddhis will be removed. Then comes the disturbances caused by irregular, insufficient flow of the prāṇa, the imbalances, disharmony, unequilibrium in the prāṇic forces has been eliminated by the prāṇāyāma. All these are removed completely by the practice of prāṇāyāma. And lastly, through pratyāhāra it is removed the major source of disturbances coming through the sense organs from the external to the deep inside to the subtler layers, from the yama niyamas to the sense organs that is very interesting to see the role of the practices. Thus is accomplished the bahiraṅga or the external dimension of the yoga because up to pratyāhāra all the disturbances, all the saṃskāras, tendencies, karmāśayas are all external, has a contact with the external. And the sādhaka becomes capable for the more deeper, more subtler and more sharper practices. That is the antaraṅga yoga, the internal dimension. But many people, many traditions, many masters say that the conquest of senses is their non-attachment to the objects. Attachment is a defect. And that non-contact that is the most important. But in pratyāhāra it is not just not coming into the contact it settles down in its original level, original state, citta and loses its capacity to be in touch, to be in contact. And that is an important dimension which we see in the pratyāhāra benefit. And each one loses its capacity in undisturbed state, a calm state prevails because the source of disturbance is gone. So many times we blame the source of disturbance, difficulties as something outside ourself. But the key, the core, the freedom is within ourself. To be in touch or to be not in touch, to switch on or to switch off, to open or to close. That freedom is rested with us. So the key for pratyāhāra, the key for the mind to be in touch with the sense organs is under our control, in our mastery. It is in our purview. So that is how the important dimension of the pratyāhāra is told. And let us see the further aṅgas of the yoga darśana. And that is in the third chapter a wonderful journey. And the chapter was very well named as the vibhūti pāda.

And the mind is intensely quiet, calm, serene, body is stable, steady and indriyās are completely withdrawn and from there on the internal yoga, antaraṅga yoga begins and then the journey will be more adventurous more deeper and more subtler. Let us see those particular dimensions of the vibhūti pāda.

Om Śāntiḥ Śāntiḥ Śāntiḥ ॐ शान्तिः शान्तिः शान्तिः|| 

To Be Continued.. ---------------------------------------
These are transcription of session delivered by Vice-President of Vivekananda Rock Memorial & Vivekananda Kendra, Sri M. Hanumantha Rao Ji.
Audio Link - https://youtu.be/_aD686DAw6o?si=wWWOgYITXlVpRVEq

--
कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org

Let's work on "Swamiji's Vision - Eknathji's Mission"

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मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26

Thursday, 2 April 2026

Patanjali Yoga Sutras Sadhana Pada - 54

ॐॐॐ

The last two sutras of the second chapter, Sādhanapāda, they deal with the pratyāhāra, the most important aṅga of the aṣṭāṅga and very important for the sādhana of the yoga, because it deals with the indriyas, which are the connection to the world outside with ourself. So it is pratyāhāra. The sutra is:
स्ववि॒ष॒या॒स॒म्प्रयो॒गे चि॒त्त॒स्व॒रूपानुकार॑ इ॒वे॒न्द्रि॒या॒णां प्र॑त्याहा॒रः ॥ २.५४॥

Saviṣayāsaṁprayoge cittasvarūpānukāra iva indriyāṇāṁ pratyāhāraḥ

Sva, viṣaya - Sva is one's own, specific, Viṣaya, subject or object, Sva-viṣaya, one's own specific object, one's own specific subject, asaṁprayoge, a is negative, not, sam is complete, totality, pra is true, thorough, yoga is meeting, joining, so asaṁprayoge is not having any contact, not having any contact, withdrawn, citta is the citta, svarūpa, one's own form or one's own state, anukāra, anukāra is imitating, following, anukaraṇa, so anukāra is following, iva is as if, indriyāṇām, organs, sense organs, pratyāhāra, pratyāhāra is drawing in towards, that is withdrawing. We shall see the details. So pratyāhāra is the condition of the senses where they will lose or they will have no contact with their respective objects, specific objects of enjoyment and follow the nature of the citta. That is withdrawn from the objects of sense enjoyments and after withdrawal as if it is in its original state. So this is the fifth aṅga. The pratyāhāra is the fifth aṅga of the aṣṭāṅga and a very important aṅga as it is the connection between the external world and ourself. We come in touch with the world through the indriyas and the world comes in touch with us through the indriyas, experiences, impressions, tendencies, saṁskāras which we carry on, all comes through the senses and the response, reactions towards the world, all types of reactions, all types of responses, whether it is wanted, unwanted or even forced or compulsive responses, reactions, all are based, connected, flow through the senses, it is as if a door, a threshold for the outside and with ourself and this is an important practice and the aṅga in the aṣṭāṅga yoga. Each sense has its own object of enjoyment. That is why it is called as saviṣaya. The ears has its own object of enjoyment of the sound. It is specific. The ears cannot see. It comes into the world of sound. And the pañcabhūtas and the tanmātrās, śabda, sparśa, rūpa, rasa, gandha and each tanmātra comes in touch with a specific indriya or each indriya can be in touch, will have the knowledge, it can convey the knowledge of only one specific tanmātra. Śabda tanmātra and the ears. The ears has a limitation only to convey, to bring the knowledge of the sound. Or the entire world is exposed to us through the ear with the knowledge of the sound. The recognition of the sound, object of the sound, subject of the sound is conveyed to us only by the ears. So the sound becomes food for ears. Intense desire, hunger, hankering of the ears can be fulfilled only with the desired sound. So sound becomes a food for the hunger of the ear. Similarly for the eyes, for the nose, for the skin, for śabda, sparśa, rūpa, rasa, gandha. For each one a specific object or subject is the food for that particular sense organ. That is the āhāra. Prati is weaning away, taking away, withdrawing. So pratyāhāra it is. So sva-viṣaya, that is the importance of the word sva-viṣaya. Asaṁprayoge, withdrawn, it is taken out. There is a beautiful sound, melodious sound or a very disturbing sound, but the eyes cannot see, but ears hear. By hearing the sound, by listening the sound, an impression, a tendency, a saṁskāra within the mind is tickled up and ignited. Once that is ignited, then the source of the sound, purpose of the sound, what is the source of the sound, which sound it is, all the knowledge, all the dimensions connected with the sound, that is taken, that is ignited within the mind, if it is stored in the smṛti. If it is not stored in the smṛti, in the citta, then the mind cannot recognize it. And if the same thing is repeated, bombarded, regularly, continuously, then there will be a desire to know, to find out, then the buddhi works there. This is how, for each object of the sense, when the sense organ and the object of the sense organ, its particular viṣaya, comes in contact, there will be everything in the mind. There will be an ignition in the mind. And then there will be a response. And that response, if it is compulsive, if the reaction is compulsive, if the response and the reaction is thoughtful, that is how we behave, we come in contact, we express ourselves. But even after the sense organ comes in touch with its object, saviṣaya, the following processes of reaction, response, recognition, igniting in the memory and creating a saṁskāra, all these can be stopped, all these can be withdrawn and that is pratyāhāra. So once the sense organ is withdrawn, then the sense organ will be in its own place svarūpe anukāra, it will be in its own place in the mind or citta. So withdrawal from the object, then settling down, or as if in its own svarūpa, because it is iva and anukāra, and that is an important dimension to understand what is pratyāhāra. Simply it is withdrawal from the sensual objects. The mind is withdrawn, sense organs are withdrawn and the mind behind the sense organs is the capturing site. And beautifully it is said, these sense organs by itself have no power. It is the mind which is important behind it. As if suppose you are walking somewhere, eyes are open, but if somebody asks whether the door is opened or closed, unless the mind was in contact, that interest, what we say, that interest, or seen, or when it is remembered, then only we will be able to give a correct answer. That procedure is the procedure where the mind came in touch with the sense organ and the sense organ was in touch with the object of it. These connections, if it is cut, and the sense organ is withdrawn from its object, then it settles down, as if in the citta, that is the indriya anukāra, iva indriyāṇām iti, that indriya as if becomes citta. So when the mind wants to put itself in touch with the external world, the sense organs should begin to function. It is not that sense organs should direct the mind. It is not their intensity and force. When the mind decides to withdraw, the sense organs should be able to withdraw with it, thus breaking all connection with the world outside. And this relation is traditionally beautifully given with an example of bees, honey bees, where the queen bee, when it flies, all bees fly, when the queen bee settles, all bees settle. The mind is like that. Senses follow the mind. Even if the senses run, rush, when the mind is not attached, when the mind is not in contact with it, the sense organs lose its power. It is very, very important. Even though the object is there, even though the sense organ is there, if the mind is not in contact with the sense organ, it loses its power. It should also be noted here that though pratyāhāra appears to be a control of the senses by the mind, the essential technique is really the withdrawal. It is not just control. It is a withdrawal of the mind into itself. And it is a kind of complete abstraction so that the sense organs cease to function. It is like somebody or any of us reading a very interesting book. We lose sense of our surroundings. But there, the mind and the sense organs are engaged in a particular external activity, an object, focusing was there. But in pratyāhāra, that will not be there. It is withdrawn. And after withdrawal, it will be in its own place as if iva, citta. No external support is taken. So in pratyāhāra, the abstraction is voluntary and the mind has no object of attraction in the external world. Its field of activity is entirely within itself and the external world is kept out by the sheer force of will. It is very, very important. Pratyāhāra it is.

Āhāra is the food, that which goes inside. Not only the food which goes in through the mouth, but what we captured through the eyes, what we captured through our ears, what is captured through the nose, what is captured through the skin, all this, through five sense organs, what was captured, all that is āhāra. Prati is withdrawal from that. There is an important dimension in the pratyāhāra: saviṣayāsaṁprayoge cittasvarūpānukāra iva indriyāṇāṁ pratyāhāraḥ. Asaṁprayoge - withdrawal. And what is the benefit of pratyāhāra? That is explained in the next, last sutra of this particular chapter. Let us see the benefit.

Om Śāntiḥ Śāntiḥ Śāntiḥ ॐ शान्तिः शान्तिः शान्तिः|| 

To Be Continued.. ---------------------------------------
These are transcription of session delivered by Vice-President of Vivekananda Rock Memorial & Vivekananda Kendra, Sri M. Hanumantha Rao Ji.
Audio Link - https://youtu.be/AQgKt0BWoEk?si=5OeIolDmnvD_DWxT

--
कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org

Let's work on "Swamiji's Vision - Eknathji's Mission"

Follow Vivekananda Kendra on   blog   twitter   g+   facebook   rss   delicious   youtube   Donate Online

मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26