Friday, 13 February 2026

Patanjali Yoga Sutras Samadhi Pada - 46

ॐॐॐ

 

46th Sutra of the Yoga Darshana, Samadhipada, is a wonderful sutra which talks about Sabeeja Samadhi, Sabeeja Samadhi. The sutra is

ता एव सबीजः॑ समा॒धिः ॥ १.४६॥

Tā eva sabījaḥ samādhiḥ

Very simple, Tā eva sabījaḥ samādhiḥ. Ta is those. Eva also. Ta Eva Sabeeja, with seed. Beeja is seed. Sabeeja, with seed. Samadhi is Samadhi. So, Ta Eva Sabeeja Samadhi, those are also Sabeeja Samadhi. This "those" refers to the previous Samapattis which were described from 42 to 44.

All those Samapattis and the process of transformations, and this particular sutra says that Ta Eva Sabeeja Samadhi. And because the word Ta Eva is used, many of the translations, concepts, because of this particular sutra, have interpreted the earlier four also as the Samadhis, means Savitarka Samadhi, Nirvitarka Samadhi, Savichara Samadhi, Nirvichara Samadhi, like that. But we have seen, while trying to understand those sutras, that Patanjali has used Samapatti, and we have seen the difference between Samapatti and Samadhi.

But here, when the word Ta Eva is used, Sabeeja Samadhi, it means that all those four give rise to one single Samadhi, that is Sabeeja Samadhi, means Savitarka Samapatti, Nirvitarka Samapatti, Savichara Samapatti, Nirvichara Samapatti. Let us remember, they are the process of transformations, and all these four Samapatis, process of transformations, give rise, they lead into Sabeeja Samadhi. This is the right way of understanding, maintaining that Samapati and Samadhi are distinctly separated. One is the process, and one is the end result. So, those are also Sabeeja Samadhi, Ta Eva Sabeeja Samadhi. And because both words used, Sabeeja and Samadhi, they are singular, not plural.

If all the earlier four are considered as Samadhis, the word would have been plural, but it is singular. That means all the four Samapattis are not Samadhis individually, but they give rise to one single Samadhi, which Patanjali named it as the Sabeejah. So, Sabeeja Samadhi is the culmination of the previous four, or the culmination of each one is Sabeeja Samadhi.

And this may stay days together, weeks together, months together, or just for a few hours. That is the meaning of "may stay", means the Chitta will be in that particular state. So, these four Samapatti identifications, which we have seen in the earlier sutras, based on their object of the meditation, means when it is a physical object, the Samapatti is Savitarka or Nirvitarka. When your object is subtle, Sukshma, it is Savichara or Nirvichara. This is a distinction. If the object is physical or gross, the Samapatti can be Savitarka or Nirvitarka. But if the object is subtle, Sukshma, it is Savichara and Nirvichara. That is how the four Samapattis have been described, and we try to understand in that lines.

So, this particular sutra, this 46th one, the description is the word called as the Sabeejaha. There is a bija, there is a seed. It is not a complete absence of the bija. Bija is a seed, maybe a thought, a single thought, or a very single object.

Thus, in Sabeeja Samadhi, the Chitta experiences happiness, joy, because the Chitta enters into that phase, as we have seen in the earlier sutras. And this is also one of the reasons many people say that Sananda Samadhi. It is not like that. We may say that the Chitta, or the mind, experiences the subject of meditation, and the experience is of Ananda, happiness, bliss. Thus, the Ananda, which is the experience in these Samapattis and culminating into the Sabeeja Samadhi, is the measuring rod to keep us in the right direction. That means, when the practice of Samapatti is going on, and after the practice of the Samapatti, we can simply say that practice of meditation, there must be a joy, there should be a sense of happiness, and no dukkha. And if there is a heaviness, bhara, dullness, as we have seen in the earlier sutras, that means the process of meditation, maybe even the system of meditation, is not in the right direction or may not be even on the right path. Because Sananda it is, it should be along with the experience of Ananda. That is how this particular sutra has a very important dimension of introducing the word Sabeeja Samadhi - Tā eva sabījaḥ samādhiḥ. All those are Sabeeja Samadhi, the four Samapattis, each one individually leading into a state which is termed as Sabeejah and as just we saw, that it is Sabeeja because of the object, and if the object is external or gross, it is Savitarka or Nirvitarka, and if the object is Sukshma, it is Savichara or Nirvichara.

With this understanding and suggestion for the meditation in the path of yoga, let us go to the next important sutra. 

Oṃ śāntiḥ śāntiḥ śāntiḥ. ॐ शान्तिः शान्तिः शान्तिः|| To Be Continued.. ---------------------------------------- These are transcription of session delivered by Vice-President of Vivekananda Rock Memorial & Vivekananda Kendra, Sri M. Hanumantha Rao Ji. Audio Link  - https://youtu.be/JoN_afnxVbM?si=odAfCj3OfDDHxB-X

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कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org

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मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26

Thursday, 12 February 2026

Patanjali Yoga Sutras Samadhi Pada - 45

ॐॐॐ

45th Sutra is the last one in the series of understanding Samāpattis in the Yoga Darshana, the first chapter, the 45th Sutra is

सू॒क्ष्मवि॒ष॒य॒त्वं चालिङ्गपर्य॑वसा॒नम् ॥ १.४५॥
Sūkṣma-viṣayatvaṃ ca aliṅga-paryavasānam ॥ 1.45 ॥

Sūkṣma is subtle, Viṣayatvam  subjectedness, topic, Cha is and Alinga is no symbol, no attributes, attributeless; that is called Alinga, Linga is a symbol. Symbol has an attribute, So Linga means an attribute, Alinga is no symbol, no attribute, Pariyavasānam is the culmination, the result, the end point. So Sūkṣma-viṣayatvaṃ ca aliṅga-paryavasānam - That is the Sutra. That means the end of subtlety, the last point of subtlety, means subtlest of the subtlest because subtle is the Viṣayatvam. How much subtle it can be, that is a subject matter, that is a Viṣayam, and the subject of Sūkṣma, Sūkṣma Viṣayatvam, and that ends, Pariyavasānam, culmination, is in Alinga, no attributes, no symbol at all, technically called as Pradhāna. Pradhāna it is called. So subtlest of the subtlest subject ends in Pradhāna, Alinga. That is the meaning of this particular Yoga Sutra

But we should understand what is this subtle, Sūkṣmatva, for the meditation at least for meditation, subject for meditation culminates into Alingatvam. Subtleness of the subject, any subject, if you take up, any object you take up for meditation, whether it is mental or the external, the subtleness of that subject ends up in the Alinga, no attribute.

It is a very wonderful Sutra. Unless we understand the reference for the Sūkṣma, the Sutra will not be clear. The Sūkṣmatvam of all the Viṣayas, all the subjects and the objects, are called as the Tanmatras, because all the objects in this world are made out of Pañchabhutas - Pṛthvī, Āpaḥ, Tejas, Vāyu, Ākāśa. Tanmatras are the subtlest of these Pañchabhutas. Pañchabhuta is the object, gross; subtlest of this is the Tanmatras. A flower is gross, but subtlest of the flower is Tanmatras connected to that; we will see that. And subtlest of the subtlest, that is the Alinga. Let us take an example, a rose and Pañchabhutikam, it has five elements -  Pṛthvī, Āpaḥ, Tejas, Vāyu, Ākāśa - it has space, it has grossness -, weight - Pṛthvī, It has a taste - Āpaḥ, texture, it has a color, and it has a smell. But subtlest of subtle forms of these Pañchabhutas are called as Tanmatras, they are the Shabda, Sparsha, Rupa, Rasa, Gandha. Gandha is connected to the Prithvi. Rasa is connected to the water, Apaha. Rupa is to the fire, Agni. Sparsha is a form of touch. Shabda is the Akasha. Shabda, Sparsha, Rupa, Rasa, Gandha

Why this understanding is necessary? Because of the word Sūkṣma used, and to understand the subtlest of the gross materials, subtle, there is a need to understand that. But the beauty is, each one is categorized and includes the gross ones. Means, suppose the Gandha Tanmatra is there, which is the grossest one, includes the other four. Means anything which smells has the other four, Shabda, Sparsha, Rupa, Rasa. And Rasa Tanmatra includes the remaining three, Shabda, Sparsha and Rupa. It excludes Gandha, Rasa Tanmatra and other things are continuations like that. So each one includes and excludes something. That is how subtleties are maintained. So if a meditator chooses a very concrete material as the object of meditation, during the process of meditation, the same subject will be experienced in its subtler and subtler stages, and ultimately the last subtlest of the subtlest, Alinga Pradhāna, remains, merges in that. And this is an important dimension. And that is how the word Sūkṣma Viṣayatvam Ca Alinga Pariyavasānam.

So by meditation or Samāpattis, transformation process which is happening, in the process of transformation which is happening from the gross to the Sūkṣma levels, the Pariyavasānam, the last culmination, is the Alingatvam. That is where the Chitta ends, comes and stays there, the last but one, just the final Purusha is there. This is how the Sūkṣmatvam is understood, subtleties, and that is an important dimension which is to be understood. So any object of meditation ends up into the subtleness of the same object, and that is where the subtle to still subtler, still subtler and to the subtlest, and there finally the gross loses and the subtlety remains, and even beyond that subtlety the Alinga stays back and that is the expression of this particular Sutra.

That is Patanjali expounding, describing the states of the mind in the process of entering into Samadhi, and the Samāpattis, states of the Chitta, and that is how this particular Sutra is explained - Sūkṣmaviṣayatvaṃ Cālinga Pariyavasānam.

Oṃ śāntiḥ śāntiḥ śāntiḥ. ॐ शान्तिः शान्तिः शान्तिः|| To Be Continued.. ---------------------------------------- These are transcription of session delivered by Vice-President of Vivekananda Rock Memorial & Vivekananda Kendra, Sri M. Hanumantha Rao Ji. Audio Link  - https://youtu.be/xwVe0ceGbuc?si=BACFOLSVVj6fu6h0

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कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org

Let's work on "Swamiji's Vision - Eknathji's Mission"

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मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26