Tuesday, 9 July 2024

Yoga - The Solution To The Youth Problem - 1

Swami Satyananda Saraswati (Bihar School o f Yoga, Monghyr, Bihar)

"Is everything wrong with our young generation ? And is there no way of redemption for today's youth, other than law and social welfare schemes ? One ideal educational syllabus evolved by the ancient Indian culture included a process of 6 auto mental ' education, which was successfully taught to, and practised by, students for centuries. Today, after a lapse of a few hundred years, it is claimed that the content of the ancient life-moulding system, has been rediscovered and will revitalize future generations all over the world. The basis of this much acclaimed ancient system is Yoga."

The Ever-rebellious Young  

YOUNG people today are seeking to break down the barriers of society, to create new means of expression, to improve society and to rectify any injustices which they see around them.

In this respect, they are no different from the young people throughout the history of mankind ; they have always sought to change the existing order, whether in their parent's house, in their village, in their town or in their country. The thing that is different in the present modern age is that, because of the advent of international communication, young people are able to know the ideas of other young people in other countries, share ideas and widely publicise new means of expression, or decry, injustices internationally. It is a natural process in nature, for young people to 6 rebel ' against tradition, for without it man would not evolve. By not accepting tradition, young people are only trying to find their place in life, where they can be happy ; a place that is in accordance with their individual nature, and not in opposition to their nature.

Yoga Popular among World Youth

Today a strange thing is happening. Whilst young people have rejected most old ideas, even ideas that were popular only ten years ago, they have flocked in large numbers to the ancient tradition of yoga. The number of people who practise yoga is increasing in all age groups, but young people in particular are attracted to yoga like insects to a lamp. Why is this ? Why have young people throughout the whole world started to adopt yoga as their way of life ? Older people should consider this phenomenon carefully, for every major change that has occurred in the history of mankind, has occurred through youthful dissatisfaction that has continued into adult life where the individual, or individuals, have effected change. So it seems more than a probability, that the interest people show in yoga, will in future infiltrate the whole of society.

In Defence of Modern Youth

It is a common cry among the older generation that young people have too much freedom and use their time pursuing useless things. They show a great interest in all kinds of music which is incomprehensible or even nauseating to older people. They wear strange clothes which seem most strange to their elders. They indulge in drugs which older people object to and condemn. The fact that their critics consume large amounts of alcohol is conveniently forgotten. And so on. Actually it can be said in all sincerity, whether these criticisms are valid or not, that the young people of today are the most ' truth oriented ' group of people that have ever existed. Whatever young people do, good or bad in their fathers' and mothers' eyes, it is in an endeavour, either consciously, or unconsciously, to find or experience the truth. Young people today have, as no other generation have dared to do, removed and discarded taboos, traditions, social restrictions and hypocrisies on an unprecedented scale. The circumstances in the world make it possible. Modern technology and widespread education have given the young people more facilities and the chance to do 6 their thing '. The fact that young people are experimenting with so many different things is actually a positive contribution to mankind and the evolution of mankind. Older people should watch them and learn from them.

Yoga : A Technique for Search of Truth

It is in the search for truth that young people have universally adopted yoga. They have discovered that yoga does not ask them to accept dogmas or stereotyped ideas. It merely suggests techniques and then tells people to find out things for themselves. Yoga gives them a way of life that transcends national boundaries, something that people throughout history and large numbers of people today cannot understand. If I am an Indian, then I must love India more than any other country.

If I am English, then England must be the greatest country and so on. Of course most people never question the sense in this kind of thinking. The young person of today, however, is too wise ; he knows this is not the truth and is just blind dogma and the cause of the futile wars throughout the ages. Yoga has

started to flourish again after thousands of years of sleep, and is flourishing because the wisdom of present day young people demands it. If yoga in any way preached dogma, untruths or anti-fellow-man slogans, young people would not even try it, let alone adopt it as they have.

If it said, this is the only way to live your life and that other systems are completely wrong, young people would not have been attracted to it.

(..To Be Continue)

Yuva Bharati - Sept - 1973
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कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
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मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26

Monday, 8 July 2024

Yogopanishads – Darshana Upanishad

Transcription of the lecture given by Mananeeya Sri Hanumantaraoji, All India Vice President of VRM & VK

Darshanopanishad (Darśanopaniṣad) - Darshana Upanishad. Darshana Upanishad is one of the important Upanishads which contains various practices and suggestions, techniques, methods for the beginners and also to the advanced practitioners of the yoga. Darshan Upanishad is almost similar to Maharshi Patanjali's Ashtanga Yoga, with various variations. Darshan Upanishad is from the Sama Veda. There are 10 Khandas, or for our convenience, we can say 10 chapters. In these 10 Khandas there are 224 mantras. Darshan Upanishad is a beautiful, wonderful description and discussion between the Guru and the Sishya. The Guru is Dattatreya and the Sishya is Sankriti. So Dattatreya Maharshi and his disciple Sankriti, their discussion is the exposition we find in Darshan Upanishad.

 

The 10 Khandas are: the first one is the Yama, which contains 10 Yamas. Second Khanda is a discussion on 10 Niyamas. Third Khanda is an elaboration and discussion of the 9 Asanas. Then the fourth Khanda is the Deha Pramanam, a discussion on the human body. The fifth one, the fifth Khanda, Pancham Khanda, is exclusively on the Nadi Shodhanam and the Mudras associated with, especially the Shanmukhi Mudra. The sixth Khanda is on the practice of Pranayama. The seventh one is on the Pratyahara, and the seventh, the Saptam Khanda, is on the Pratyahara Lakshanam and the Pratyahara Phalam. The Ashtam Khanda, is on the Dharana. A beautiful description is given on the external Panchabhuta Dharana and on oneself, Atma Dharana. The ninth one is on the Savishesha and Nirvishesha Brahma Dhyanam. So the eighth Khanda is on the Dharanam. The ninth Khanda is on the Dhyanam. And the last one is on the Samadhi. And this is how the ten Khandas, the ten chapters, ten divisions of the Darshana Upanishad, elaborates in detail the subtle practices involved in the Yoga for a person for the higher achievements, for quietening of the mind. The ten Niyamas and the ten Yamas, the nine Asanas, Pranayama, Pratyahara, Dharana, Dhyana, all are very practical suggestions, techniques.

 

The first Khanda is on the ten Yamas. And the ten Yamas are beautifully described as Ahimsa, Satya, Asteyam, Brahmacharya, Daya, Arjavam, Kshama, Dhruti, Mitaharaha, and Saucham. Talking about these ten Yamas, we find this commonality in the commonly known Yama of Maharshi Patanjali. But here the difference is few additions were given in this. And the discussions are very wonderful. When talking about Ahimsa, the Dattatreya Maharshi beautifully says,

vedoktena prakāreṇa vinā satyaṃ tapodhana।

kāyena manasā vācā hiṃsā'hiṃsā na cānyathā।।

 

ātmā sarvagato'cchedyo na grāhya iti me matiḥ।

sa cāhiṃsā varā proktā mune vedāntavedibhiḥ।।

 

It means, "vedoktena prakāreṇa vinā satyaṃ tapodhana। kāyena manasā vācā hiṃsā'hiṃsā na cānyathā।।" is to be avoided. Unnecessary involvement in violence, avoidable violence should be avoided.' When we say avoidable violence, is there unavoidable violence? Unavoidable violence? Then we have to understand the depth of the entire thing. The entire Srushti Krama, from the Vyashti, Samashti to the Parameshti, from individual to the entire creation, the Jiva Chakra, the life cycle, the time cycle involves some sort of dependence of life on others, on other lives. So there is always this dependence, interdependence, interrelatedness continues. To maintain this natural Dharmic cycle, Dharmachakra, what is happening, elimination, deletion of the lives is a natural sequence. But for self-aggrandizement, for selfishness, for selfish desires to be fulfilled, if violence is created, then it is Himsa. That is how beautifully the Upanishad goes. In the Mahabharata, there is an elaborate discussion between Himsa and Ahimsa. This suffices to understand: the activity done for the protection of Dharma, an activity done with nisvarthata (unselfishness) and selflessness, without any ragas, dveshas— that activity, if it inflicts hurt and violence on other living beings, it is considered as not violence.

 

Similarly, Satyam—

sarvaṃ satyaṃ paraṃ brahma na cānyaditi yā matiḥ।

tacca satyaṃ varaṃ proktaṃ vedāntajñānapāragaiḥ।।

 

About the Satyam. Similarly, Asteyam. Brahmacharyam was beautifully described.

It says,

kāyena vācā manasā strīṇāṃ parivivarjanam।

ṛtau bhāryāṃ tadā svasya brahmacaryaṃ taducyate।।

brahmabhāve manaścāraṃ brahmacaryaṃ parantapa।।

 

A complete abstinence from contact with women by means of the body, word of mouth, and the mind, as also with one's own wife, immediately after the desires, pouncing desires, uncontrollable sensual engagements are to be avoided. That is celibacy. Practice of celibacy. Then what is Brahmacharya? Beautifully, the Darshana Upanishad defines it as a staunch application of the mind to the state of becoming Brahman. "brahmabhāve manaścāraṃ brahmacaryaṃ parantapa।।" A complete penance, applying the mind for the Brahmabhavanam. That is Brahmacharya. A normal, common understanding of not getting married, living alone. That is not a definition of Brahmacharya. Brahmacharya is brahmabhāve manaścāraṃ brahmacaryaṃ parantapa।।. Engaging the mind in the Brahmi sthiti. And for the practice of Brahmacharya, what are to be done? We have seen in the earlier sentences.

 

Then talks about Daya as a part of Yama. Then Arjavam, then Kshama, Dhrutihi. Then Mitahara is beautifully described.

 

alpamṛṣṭāśanābhyāṃ ca caturthāṃśāvaśeṣakam।

tasmādyogānuguṇyena bhojanaṃ mitabhojanam।।

 

What is Mitahara, Mita Bhojanam? 'Mitah' itself suggests a limit. 'Mitah' means a measurement, a limit. And what is the limit? 'caturthāṃśāvaśeṣakam' It means the fourth, one-fourth is left off. That doesn't mean three-fourth should be eaten. Half is to be eaten, moderately and pure food. Then half of the half is for water. And the quarter is left out. A moderate and pure food is eaten. And this is Mitahara.

 

Then Shaucham is beautifully described. Cleanliness is also part of Yama. And of course, the ten Niyamas of the Dhriti Khanda contain another important dimension. The ten important Niyamas are Tapah, Santoshah, Astikyam, Danam, Ishvara Pujanam, Siddhanta Shravanam, Hrihi, Matihi, Japah. These are the ten parts of the Niyamas as prescribed in the Darshanopanishad.

 

Darshanopanishad goes in detail: what are the practices? How these are to be practiced? Tapah means what?

śarīraśoṣaṇaṃ yattattapa ityucyate budhaiḥ।।

ko vā mokṣaḥ kathaṃ tena saṃsāraṃ pratipannavān।

 

Emaciating the body, putting the physical body to a strain, making an effort to enhance the capacity, forbearance of the body. And that is how Tapah has been beautifully described. Ability of the body to withstand toughness, to bring that ability, to increase that ability. Capacity of the body to withstand the external changes, atmospheric changes. Ability to maintain natural common balance of the body. All the steps taken for that, is Tapah.

 

Then beautifully, the description of Santoshah comes. Astikyam is a beautiful word used as a part of the Niyama. Then Danam, Ishvara Pujanam are there. Then Siddhanta Shravanam. How wonderful it is! As a part of the Niyama, listening, hearing the Siddhanta, means texts which propose conclusions, texts which enhance faith, texts which guide one's practices towards the higher lives. That Siddhanta Shravanam, of course, the Darshan of Upanishad prescribes it.

 

"pratyagityavagantavyaṃ vedāntaśravaṇaṃ budhāḥ" it calls. Vedanta Shravanam is the Siddhanta Shravanam and that is part of the Niyama. Then Hrihi. Hrihi is modesty. Modesty, a very important quality and character. And then Matihi is another beautiful quality, character as a part of the Niyama of the Darshan of Upanishad. And what is Matihi? "guruṇā copadiṣṭo'pi tatra saṃbandhavarjitaḥ" Means all the connections are to be cut which will be disturbing the mind, all the attractions, attachments, and connections which are responsible for the distractions of the mind to maintain its stability. And the Darshan of Upanishad says, even if the Guru instructs, one should not follow that, if it is detrimental to one's stability of the mind. Then the Japaha is the last part of the Niyama.

 

Then the Tritiya Khanda talks about the Asanas, the nine Asanas: Swastikasana, Gomukhasana, Padmasana, Virasana, Simhasana, Bhadrasana, Muktasana, Mayurasana, Sukhasana. These are the nine important Asanas, and the Darshan of Upanishad describes them in a simple dimension, how to practice. At the end of the Tritiya Khanda, what is the benefit of the practice of the Asana? Asana jaya phalam. Very important suggestion it is, very important conclusion of the Darshan of Upanishad is:

 

āsanaṃ vijitaṃ yena jitaṃ tena jagattrayam।

anena vidhinā yuktaḥ prāṇāyāmaṃ sadā kuru।।

 

One can master the world, and after that, one can master the Pranayama. For a person to master the practices of Pranayama, one has to be a master of the Asanas. It is not that one has to be the Asana of masters. Practice of Asanas contributes and helps in gaining mastery in the practice of Pranayama. This is what the Asana Phalam.

 

Then the Chaturtha Khanda talks about the Deha Pramanam: characteristics of the body, contents of the body, the structure of the body, the dimensions of the body. Beautifully it talks. And the seat, the positions of the nadis, the seat and positions of the various chakras, the position and prescriptions, activities, effects of the various pranas—the Pancha Pranas, the Pancha Upa Pranas. Then what are their activities? All these are beautifully described in the Deha Pramanam. And it describes beautifully the names of the 15 important nadis: Ida Nadi, Pingala Nadi, Sushumna Nadi, Saraswati Nadi, Kuhu, Gandhara, Hastajivha, Pusha, Yashaswini, Vishodara, Varuna, Shankhini, Alambusa, and Payaswini. Then it says about Ida Nadi is the cooling and effect of the Chandra. Pingala Nadi is the effect of the Surya.

 

Then the Darshanopanishad wonderfully describes the tithis, the ayanas, the varas, the tirthas are all part in the body, part and parcel of the body, concluding that our own physical body is full of divine qualities. Our own physical body is the punya kshetra, punya tirtha, punya tithi. This is how wonderfully the Upanishad describes.

 

Then we come to the fifth Khanda, that is the Pancham Khanda, which talks about the Nadi Shodhanam, purification of the nadis—the Ida Nadi purification, Pingala Nadi purification, and how the inhalation and exhalation are to be done. It should be very clear that the Upanishad prescribes slow, balanced, harmonious, synchronized breathing. The flow of the breath in these nadis and nostrils has to be slow, deep, harmonious, and synchronized. The time of inhalation and exhalation has to be longer and longer, deeper and deeper, slower and slower.

 

What method we adopt to it, that is the pranayama method. And by the practice of the Nadi Shuddhi, what happens? The symptoms of the correct practice of Nadi Shuddhi, the Upanishad beautifully describes: lightness of the body, glowing of the jatharagni, good digestion, then a clear expression of the sound, the nada, and there is a feeling of light and effortlessness. And we should always remember, a correct, right practice of pranayama eliminates digestive inconveniences, digestive disorders. Then the highest benefit of the Nadi Shuddhi Lakshanam is Atma Shuddhi, self-purification.

 

ajñānānmalino bhāti jñānacchuddho bhavatyayam।

ajñānamalapaṅkaṃ yaḥ kṣālayejjñānato yataḥ।

 

Atma Shuddhi means what? "ajñānamalapaṅka:" - beautiful word it is. Pankaha is mud, slush, dirty slush of ajnanaha. And the Upanishad defines what is ajnanaha. Ajnanaha is taking this body as our real self. Not knowing our real self and taking it wrongly that the body is the real self. This is the ajnanaha. And this ajnanaha is the mala pankaha. It is a dirty slush. And that is removed, purified by the practice of Nadi Shuddhi. We should understand the highest benefit of the Nadi Shuddhi is the removal of ajnanaha.

 

And the sixth one is the Shashtakhandaha, which is about the Pranayama. Beautifully, the Darshanopanishad explains wonderfully the Pranayama vidhi, Pranayama siddhi, Pranayama lakshanam. And it says roga nivartaka Pranayama—means it removes the rogas, imbalances are removed, balance is restored. Shanmukhi mudra practice is a beautiful explanation in this sixth Khanda. And practicing Pranayama with Shanmukhi mudra is an important practice it gives. And if one masters this Pranayama,

prasvedaḥ prathamaḥ paścātkampanaṃ munipuṅgava।।

utthānaṃ ca śarīrasya cihnametajjite'nale।

 

The lightness of the body is so light that there is a feeling of weightless. It is not just a feeling of the weightless. The body becomes so light it can float. This is how the benefit of the practice of Pranayama in the Shashtakhanda it comes. Then the practice of Pranayama also enhances one's mastery over the raga and dveshas.

 

Then the seventh Khanda is on the practice of Pratyahara. As we all are aware, Pratyahara is the mastery over our senses—the Pancha Jnanendriyas and the Pancha Karmendriyas. The pressure, the push, the pull, and the force of the senses are brought under control, are brought under restraint. And maintaining the stability and the restraining state of the mind, not allowing the senses to be free as unbridled horses, bridling the horses of the senses is Pratyahara.

 

And then the eighth Khanda is on the Dharana. And this Dharana is on the Pancha Bhutas—external. A Dharana on the murti, a Dharana on the form, a Dharana on an object having a name and shape. Every object has a shape and every object has a name. There cannot be any object without shape and name. Nama rupa rahita vastu is not possible. When there is Nama, there will be Rupa. When there is Rupa, there will be Nama. When there is a Nama and Rupa, there is an object. So this object, name and form. And this name, form and object, subjected with the Pancha Bhutas (Pritvi, Apas, Teja, Vayu, Akasha). Prithvi - varieties of object's names and forms. Apaha (water) -  varieties of object's names and forms. So, this object's name and form applied to all the five, its various combinations and concentration on that is the Pancha-Bhuta Dharana it is. And finally, the Darshanopanishad says from the external Pancha Bhuta Dharana, perform Dharana on one self, an internal Dharana.

 

Then the Navama khanda, the ninth khanda is Savishesha Brahma and Nirvishesha Brahmaha. And what is Dhyana phalam? The result of the Dhyana is:

 

evamabhyāsayuktasya puruṣasya mahātmanaḥ।

kramādvedāntavijñānaṃ vijāyeta na saṃśayaḥ।।

 

One gains the knowledge of the Vedanta and gradually he gets liberated. Nasamshayaha - no doubt about it. This is how the Navama Khanda of the Darshana Upanishad.

 

Then the last one is on the Samadhihi. And finally the Upanishad has an Upasamhara, it sums up completely, summed up by the Maharshi Dattatreya gives to the Sankriti the disciple that at the end of all these, one attains the Atman, 'Atma Tattva Nirupanam' it is. "dattātreyo mahāmuniḥ sāṃkṛtiḥ svasvarūpeṇa sukhamāste'tinirbhayaḥ" - one gets established in Sukham and Nirbhayam. Svasvarupena - that is the highest dimension of the Darshanopanishad, describing all the various practices in the entire Yoga practices and Darshanopanishad is the most practical and practice oriented Upanishad of all the twenty Yogopanishads. Let us conclude here. Aum Shanti Shanti

Listen at : https://youtu.be/R2sdrLub27s?si=m2elYvevMtYW1L2p

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कथा : विवेकानन्द केन्द्र { Katha : Vivekananda Kendra }
Vivekananda Rock Memorial & Vivekananda Kendra : http://www.vivekanandakendra.org
Read n Get Articles, Magazines, Books @ http://prakashan.vivekanandakendra.org

Let's work on "Swamiji's Vision - Eknathji's Mission"

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मुक्तसंग्ङोऽनहंवादी धृत्युत्साहसमन्वित:।
सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26

Sunday, 7 July 2024

Yogopanishads – Yogashikha Upanishad

Transcription of the lecture given by Mananeeya Sri Hanumantaraoji, All India Vice President of VRM & VK

Yogashikhopanishad (Yogaśikhopaniṣad) - Yoga Shikha Upanishad is from the Krishna Yajur Veda, and it has six chapters. The six chapters contain 390 mantras. The first chapter is the largest one with 178 mantras. The second one has 22. The third one has 25 mantras. The fourth has 25, and the fifth has 62 mantras. The last one, the sixth adhyayam, has 79 mantras. So put together, Yoga Shikha Upanishad of the Krishna Yajur Veda has 390 mantras distributed among six chapters.

 

The Upanishad begins with beautifully explaining about the shad ripus, that is Kama, Krodha, Lobha, Moha, Madha, Matsaras. If they are removed from the Jeeva, it is the Paramatma. The Upanishad doesn't say Paramatma having these six rupus is the Jeeva. It doesn't say, it cannot be. Only Jeeva without shad ripus is the Paramatma. That does not mean or imply Paramatma with shad ripus is Jeeva. No. The Jeeva, having shad ripus, is unable to recognize the Paramatma. In fact, Yoga Shikha Upanishad puts it beautifully: there is no Jeevatma, there is no Paramatma. What is there is only Paramatma. And because of the shad ripus covering it, Jeevatma feeling comes, and this removal of the shad ripus is the only method for recognition, experience, or what we say, enlightenment for the Jeevatma to feel and experience, or what we say, to be one with the Paramatma. And that is how the Upanishad puts it: this Jeeva Bhava is because of the shad ripus. And for that, Aham Bhava is the important block. Aham Bhavaha is the reason for the shad ripus' existence, and this Aham Bhavaha, "I am, I am-ness," the elimination of that is the essential need and essential dimension for the Yoga Shikha Upanishad. And this is:

 

kāraṇena vinā kāryaṃ na kadācana vidyate।

ahaṃkāraṃ vinā tadvaddehe duḥkhaṃ kathaṃ bhavet।।

 

If Ahamkaram is not there, there is no Dukha at all. So, this feeling is the essential cause for the Jeevatma.

 

And the Upanishad explains beautifully in the 51st mantra of the first chapter that Jnana Yoga and Yoga are interdependent and they are incomplete with the absence of the other. One supplements the other, one fulfills the other,

 

yogena rahitaṃ jñānaṃ na mokṣāya bhavedvidhe।।

 

jñānenaiva vinā yogo na siddhyati kadācana।

 

That means without Yoga, there is no Moksha as Jnana speaks. And without Jnana, there is no Siddhi as Yoga speaks. So, Jnana Yoga and Yoga method are interdependent, interrelated, and intertwined, and both go together, one after the other.

 

Then the Upanishad speaks about the four Kumbhakas. Jeevatma Bhavam, to remove it, that I am the body, I am limited, I am Jeevaha, I am not Paramatman; to remove such feelings, to root them out, to cut off all this. The four Kumbhakas have been explained: that is the Suryabhedha, Ujjayi, Sheetali, and Bhastrika. Many of the Yoga instructors and teachers, we teach, we practice Suryabhedha, Ujjayi, Sheetali, and Bhastrika, but we never tell what is the final purpose, what is the final goal. We always say that Suryabhedha Pranayama gives this result, Ujjayi Pranayama gives this result, Sheetali Pranayama cools the body, Bhastrika Pranayama is good for that. We all talk with very meager, simple, physical, ordinary, material benefits. But the Yoga Shikhopanishad puts it, these four Kumbhakas enlighten, raise a person:

mukhena vāyuṃ saṃgṛhya ghrāṇarandhreṇa recayet।।

 

 śītalīkaraṇaṃ cedaṃ hanti pittaṃ kṣudhāṃ tṛṣam।

 

Sheetali Karanam - it talks about the Sheetali Pranayama: "mukhena vāyuṃ saṃgṛhya ghrāṇarandhreṇa recayet," that is, inhaling through the mouth and exhaling through the nostrils. It cools down the system. Pitta is removed. Kshudbadha is reduced. Hunger is removed. Similarly, Ujjayi pranayama was talked:

 

kaṇṭhe kaphādi doṣaghnaṃ śarīrāgnivivardhanam।

nāḍījalāpahaṃ dhātugatadoṣavināśanam।।

Practice of Ujjayi pranayama: it removes kapha doshas and enhances body temperature. That means yatharagni is enhanced. Digestive system gets improved, and that is how, and then practice of Surya Nadi, Surya Bheda pranayama balances the temperature in the body. Entire body temperature is maintained normally irrespective of the external changes. The body temperature is maintained. That is the Surya Bheda pranayama. Surya Bheda kumbhaka it is. Then Ujjayi kumbhaka, Shitali kumbhaka, then the Bhastrika kumbhaka.

 

The Yogashikha Upanishad also gives practices of the bandhatraya: Moola bandha, Uddiyana bandha, and Jalandhara bandha. How it is to be practiced? Moola bandha, as we are aware, it is the bandha closing, stopping the apana vayu exit route i.e. the anal sphincters. That is Moola bandha. Then the Uddiyana bandha is the middle one at the navi level. Bandhana is practiced. Then Jalandhara bandha is at the throat level. So, Moola bandha, Uddiyana bandha, and Jalandhara bandha. The Upanishad talks beautifully about the benefits of these three bandhas also. So, three bandhas.

 

Then the Upanishad speaks about the four yogas: Mantra yoga, Laya yoga, Hatha yoga, and Raja yoga. It talks about all the four important basics and says what Mantra yoga is. Mantra yoga is constant awareness of the sound of breathing and this constant awareness and experience and feeling of the breathing with mental chanting of the Om. Prana spandana shabda with Pranava shabda -  that harmonizing is mantra yoga, it calls it. It is called mantra yoga. The normal natural sound of breathing synchronized, aligned with the Manasika Omkara japa. This is mantra yoga.

 

Then the Upanishad talks about Hatha yoga. Hatha yoga is joining, combining prana movement in Suryanadi and prana movement in Chandranadi. That is the flow of breath on the right side and the left side combined. That is Hatha yoga. Surya and Chandra, that is the cooling effects in the body, warming effects in the body. That is balanced. That is Hatha yoga. Then Laya yoga is merging the mind, quietening the mind, producing the thoughts in the mind. That is Laya yoga.

 

Then the Upanishad talks about the various dimensions and finally, beautifully, the Upanishad says the practices should be slow. "Shanai Shanaihi" - the Upanishad says. The practices should never be fast, quick, dynamic, tiring, exhausting, sweating. Yoga Upanishad prescribes, formulates, defines that yoga practices should be slower and slower within the limitations of the practitioner. "Shanai Shanaihi" - the Upanishad uses beautiful terminology. The practice has to be slow and slow, and it has to be with the guidance of an instructor or a Guru. Abhyasa yogat evaha mukti. Then only it brings out freedom from the inflictions and the difficulties. That is how the Upanishad raises the body as a temple of Shiva. Our own body is nothing but Shivalayam. The Upanishad calls it Sharire Shivalayam and how the body is Shivalaya. In a Shiva temple, when we go there, what are all the parts of the temple, what are all the external and internal precincts of the temple, what are all the parts of the temple, the Upanishad equates it that is the part of our body. So, the body itself is a Shiva temple. It means that all the Shiva temples are within the body and the body itself is a seat of Shivaha, Shivasthanaha it is. And that is how beautifully the Yoga Shikha Upanishad explains, describes, actually gives the temple architecture. It harmonizes and synchronizes with the body structure. It is simply feeling that our whole body is nothing but Shiva Swarupaha. It is a home of Shiva. It is a seat of Shiva.

 

Then the Upanishad talks about beautifully how the body is a composition of the energy centers, that is, the shad chakras. The Yoga Shikha Upanishad talks about the Muladhara chakra having a triangular shape. Its position is at the center of the anus and the genitals, and it is the seat of the Kundalini and the place of the beginning of the sound, the nadaha. The second is the Swadhishthana chakra at the navel region. Then the Manipura chakra, having 10 petals of the lotus. In the heart region is the Anahata chakra, having a 12-petaled lotus. Then the peeta is the Puranagiri. Then the Vishuddhi chakra is the 16-petaled lotus or 16-petaled chakra at the Vishuddhi chakra. Then the Ajna chakra, which has two petals at the center of the eyebrows. That is how the Yoga Shikha Upanishad gives a brilliant and important suggestion, method, and technique within our body to recognize the energy centers and to have meditation, contemplation, and knowledge of those energy centers within ourselves. And how they can be recognized by the practice of Uddiyana bandha, Jalandhara bandha, and Moola bandha. The Moola bandha is to recognize the Muladhara chakra. Uddiyana bandha is for the Swadhishthana and the Manipura. The Vishuddhi, and Ajna chakras for the Jalandhara bandha.

 

How beautifully the Upanishad explains the methods of the yoga practitioners and who is the adhikari for the yoga practice, who can practice these yoga practices. The Upanishad prescribes wonderfully "dvādaśābdaṃ tu śuśrūṣāṃ yaḥ kuryādapramādataḥ" means practicing, serving a guru for 12 years, learning the yoga methods, and subtleties and subtle techniques of the yoga from a guru, serving him for 12 years. That is how the Upanishad beautifully explains. An entire second chapter, 22 mantras, are full of Aum. The Akara, Ukara, Makara, and Mula Mantraha, Mula Pravanaha. How Aum is the entire symbol of the world, how Akaraha, Ukara, Makaraha. Akaraha is the Jagrata avasthaha, Ukara is the Swapnavasthaha, Makara is the dreamless Sushupti level. When our own consciousness, when we are aware of the entire world, when we are active, when we are in a state of knowing everything, that is the Akara. And when we are sleeping and dreaming, that is Ukara. And in a dreamless state, it is Makaraha. We regularly undergo and our consciousness undergoes these three states continuously, though there are two more states, Turiya and Turiyatita level. All these descriptions are given by the Aumkaraha. Akara, Ukara, Makara are the Jagrata, Swapna, Sushupti. Then the Bindu is the Turiyatita level, and the Ardhamatra is the Turiya level. So the five levels, five stages of the human conscious level, the existence of the human consciousness equated to the Akara, Ukara, Makara, Ardhamatra, and the Bindu of the Aumkaraha. The entire 22 mantras talk about this brilliantly.

 

And then the third chapter talks about the four stages of the Nada, the Shabda, and the Aumkaraha: Para, Pashyanti, Madhyama, and Vaikari, the four levels of Akaraha, Para, Pashyanti, Madhyama, and Vaikari of 'A'(अ); Para, Pashyanti, Madhyama, Vaikari of Ukara; Para, Pashyanti, Madhyama, and Vaikari of the Makaraha; and the Para, Pashyanti, Madhyama, Vaikari of the Aumkaraha. It is so beautifully the levels and the stages and experiences, how to experience, how to judge ourselves, how to measure our practice levels. The entire third chapter of the Yoga Shikha Upanishad talks about this, and the Upanishad brilliantly talks, gives beautiful suggestions.

 

In the fourth chapter of the Yoga Shikha Upanishad is the falsity of the Jiva. What we feel, "I am the body," our relationships, "my body, my hand, my legs, my thoughts," this "my, my, my," "my relations, my friends, my material," all these things, these connections, how these are all false, fake. The Upanishad beautifully explains with the reasons the falsity of the Jivatma:

caitanasyaikarūpatvadbhedo yukto na karhicit।

jīvatvaṃ ca tathā jñeyaṃ rajjvāṃ sarpagraho yathā।।

 

rajjvajñānātkṣaṇenaiva yadvadrajjurhi sarpiṇī।

 

Means, beautifully the example is given, Rajju Sarpa bhranthi. As long as we do not know that what we are seeing is the rope, we continue to feel it is a snake. We see a snake, and we are afraid of it. And this fear of the snake and seeing of the snake is lost or gone only when we know that it is not a snake and it is only a rope. "Oh, after all, it is a rope." Until this knowledge comes, then the false knowledge does not go. Until we understand that we are the Paramatman, we will not lose, we will not be free from the knowledge of the feeling that we are the Jivatman, "I am the body." This wrong identification, wrong attachment to this body, and feeling this body is everything. And all the requirements and attachments and necessities and needs and wants are for the fulfillment of this body, the requirements of the body. And we are engaging entire life in that. And this is the falsification. Like the existence of the snake continues to be there as long as we don't recognize that it was actually not a snake but a rope. This is the entire fourth chapter of the Yoga Shikhopanishad.

 

The fifth chapter brilliantly explains that the entire body is the Vishnu Alayam. The body is full of Vaishnava Alayam, how the body is Narayana, Vishnu. As we have seen the Shiva Alaya in the first chapter, and here it says the Vishnu Alayam. It only means that Shiva and Vishnu are not different, and Shiva and Vishnu are one and the same, and that both are, it is not both, it is one expressing as the two, and that one expressing as the two is our self, our real self. So whether it is Shiva or whether it is Vishnu, whether it is Shiva Alayam or Vishnu Alayam, it is our own existence. The body is Shiva Alayam. The body is Vishnu Alayam. So the Upanishad beautifully explains that the entire structure of the Vishnu temple is the body. It equates to the body. The Narayana and the Shiva, the Vishnu and Shiva are within ourselves. Our body is so wonderful. Our body is so expansive and so pure, so pavitrata it has to be, the pavitrata, the shuddhata has to be maintained as we maintain the pavitrata and shuddhata of the Shiva temple or of the Vishnu temple.

 

Then the Upanishad gives beautifully the Panchagnis: Kalagnihi, Moolagnihi, Badavagnihi, Grahagnihi, and the Suryagnihi. Kalagnihi is the heat below the navel region. Moolagnihi is the heat surrounding the Nabhi region. Badavagnihi is the heat at the thoracic chest level. And the Grahagnihi is the heat at the anus level. The Suryagnihi is the heat spread throughout the body and just surrounding the body. The temperature and the heat not only within the body; the temperature, heat within the body also spreads little above the body. Just like there is a fire is there, we feel the heat of the fire for a certain distance. Similarly, the heat and temperature warmth of the body is felt, can be felt even outside the body for a certain distance, for certain distance. This description comes in the fifth chapter of the Yoga Shikha Upanishad.

 

And that feeling and experience of the heat at different levels, feeling of the heat and warmth at different levels, different parts, different center of the body is the content of the fifth chapter of the Yoga Shikha Upanishad. And the last one is the Upanishad talks about the Sushumna Nadi and the final Kundalini energy, the final rise of the coiled energy, the compressed energy, and that unzipping our efforts, unzipping our spiritual, unzipping our unknown energy levels within ourselves. And that expression, manifestation of unknown energy, unfound energy, untapped energy within ourselves is the content of the sixth chapter. And of course, the Upanishad concludes by saying the entire world and my world and ourselves is nothing but an expression and manifestation of the mind. That is how the Upanishad concludes by saying for this knowledge, for this practice, Guru, a master, and a teacher is a must. And finally,

citte calati saṃsāro niścalaṃ mokṣa ucyate।

tasmāccittaṃ sthirīkuryātprajñayā parayā vidhe।।

 

cittaṃ kāraṇamarthānāṃ tasminsati jagattrayam।

tasminkṣīṇe jagatkṣīṇaṃ taccikitsyaṃ prayatnataḥ।।

 

The mind, when the chitta is moving, the world is there. The world means movement of the chitta. When the chitta stops, nishchalam, the world disappears. Appearance and existence of the world is because of the chitta chanchalyam and nishchala chittaha is the absence and disappearance of the entire world. That is how the Yoga Shikha Upanishad keeps hammering the point, the importance of quietening the mind, soothing the mind, and mano nigraha. And of course, it is the "cittaṃ kāraṇamarthānāṃ tasminsati jagattrayam". Beautifully the Upanishad puts it, is the chitta which is responsible for the existence of the Jagattrayam. The three Jagats - Jagrata, Swapna and Shushupti are there because the chitta is there, chitta is active. If the chitta becomes kshina, then the Jagat will be disappeared. That is how the Yoga Shikha Upanishad slowly and steadily raises a person's understanding and guides a person into the practice of the Yoga to its highest levels. That is the essence of the Yoga Shikha Upanishad. Aum Shanti Shanti Shanti:


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सिद्ध‌‌यसिद्धयोर्निर्विकार: कर्ता सात्त्विक उच्यते ॥१८.२६॥

Freed from attachment, non-egoistic, endowed with courage and enthusiasm and unperturbed by success or failure, the worker is known as a pure (Sattvika) one. Four outstanding and essential qualities of a worker. - Bhagwad Gita : XVIII-26