Sunday 29 October 2023

THE RAMAYANA - 6

Early during the period of exile, Bharata, the younger brother had come and informed Rama, of the death of the old king and vehemently insisted on his occupying the throne. During Rama's exile Bharata would on no account ascend the throne and out of respect placed a pair of Rama's wooden shoes on it as a substitute for his brother. Then Rama returned to his capital, and by the common consent of his people he became the king of Ayodhya.

After Rama regained his kingdom, he took the necessary vows which in olden times the king had to take for the benefit of his people. The king was the slave of his people, and had to bow to public opinion, as we shall see later on. Rama passed a few years in happiness with Sita, when the people again began to murmur that Sita had been stolen by a demon and carried across the ocean. They were not satisfied with the former test and clamoured for another test, otherwise she must be banished.

In order to satisfy the demands of the people, Sita was banished, and left to live in the forest, where was the hermitage of the sage and poet Valmiki. The sage found poor Sita weeping and forlorn, and hearing her sad story, sheltered her in his Âshrama. Sita was expecting soon to become a mother, and she gave birth to twin boys. The poet never told the children who they were. He brought them up together in the Brahmachârin life. He then composed the poem known as Ramayana, set it to music, and dramatised it.

The drama, in India, was a very holy thing. Drama and music are themselves held to be religion. Any song — whether it be a love-song or otherwise — if one's whole soul is in that song, one attains salvation, one has nothing else to do. They say it leads to the same goal as meditation.

So, Valmiki dramatised "The Life of Rama", and taught Rama's two children how to recite and sing it.

There came a time when Rama was going to perform a huge sacrifice, or Yajna, such as the old kings used to celebrate. But no ceremony in India can be performed by a married man without his wife: he must have the wife with him, the Sahadharmini, the "co-religionist" — that is the expression for a wife. The Hindu householder has to perform hundreds of ceremonies, but not one can be duly performed according to the Shâstras, if he has not a wife to complement it with her part in it.

Now Rama's wife was not with him then, as she had been banished. So, the people asked him to marry again. But at this request Rama for the first time in his life stood against the people. He said, "This cannot be. My life is Sita's." So, as a substitute, a golden statue of Sita was made, in order that the; ceremony could be accomplished. They arranged even a dramatic entertainment, to enhance the religious feeling in this great festival. Valmiki, the great sage-poet, came with his pupils, Lava and Kusha, the unknown sons of Rama. A stage had been erected and everything was ready for the performance. Rama and his brothers attended with all his nobles and his people — a vast audience. Under the direction of Valmiki, the life of Rama was sung by Lava and Kusha, who fascinated the whole assembly by their charming voice and appearance. Poor Rama was nearly maddened, and when in the drama, the scene of Sita's exile came about, he did not know what to do. Then the sage said to him, "Do not be grieved, for I will show you Sita." Then Sita was brought upon the stage and Rama delighted to see his wife. All of a sudden, the old murmur arose: "The test! The test!" Poor Sita was so terribly overcome by the repeated cruel slight on her reputation that it was more than she could bear. She appealed to the gods to testify to her innocence, when the Earth opened and Sita exclaimed, "Here is the test", and vanished into the bosom of the Earth. The people were taken aback at this tragic end. And Rama was overwhelmed with grief.


(CWSV - 4, - Delivered at the Shakespeare Club, Pasadena, California, January 31, 1900)


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